片名:《巴伐利亞打獵即景》
類型:劇情片
上映時(shí)間:1969
上映地區(qū):其它
導(dǎo)演:彼得·弗萊施曼
主演:Martin,Sperr,Angela,Winkler,漢娜·許古拉
集數(shù): 完結(jié)
語言:其它
【歐樂影院】分享經(jīng)典劇情片《巴伐利亞打獵即景》,巴伐利亞打獵即景由知名導(dǎo)演彼得·弗萊施曼指導(dǎo)拍攝,《巴伐利亞打獵即景》由知名演員Martin,Sperr,Angela,Winkler,漢娜·許古拉等等人傾情完美合作演繹,《巴伐利亞打獵即景》的劇情曲折離奇跌宕起伏,《巴伐利亞打獵即景》的人物設(shè)定符合作品主題,《巴伐利亞打獵即景》是一部讓人意猶未盡余味無窮的作品,《巴伐利亞打獵即景》有其它等語種,《巴伐利亞打獵即景》劇情片好評(píng)如潮,吸引很多粉絲對(duì)《巴伐利亞打獵即景》的觀看,每日看好劇就上【歐樂影院】
《巴伐利亞打獵即景》劇情簡(jiǎn)介：ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.Copyright ? 2015-2020 All Rights Reserved
